Divertimento No. 4 in B-flat major, K186 (Full Score)

Divertimento in B-flat, K.186/159b Divertimento No. 4

Gallimathias Musicum , K. Serenade in D Major, K.

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Duos for Two Horns, K. Divertimento in C Major, K. Violin Sonata in C Major, K. Sonata in E Flat Major, K.

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Duo in G Major, K. Divertimento in B Flat Major, K. Piano Trio in E Major, K. Trio in B Flat Major, K. Piano Quartet in G minor, K. Flute Quartet in D Major, K. Oboe Quartet in F Major, K.

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String Quartet in G Major, K. String Quartet in D Major, K. Clarinet Quintet in A Major, K. Piano Sonata 1 in C Major, K. Andante in B Flat Major, K. Andante in C Major, K. C Menuet in F Major, K. Praeludium und Fuge in C Major, K.

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It shares with the Divertimento its melodic style and somewhat virtuoso character. Divertimenti were a popular genre in the 18th century, offering listeners a lighthearted 'diversion' at social functions. The summer of I, his first in Vienna, was a complicated one for the twenty-six-year-old Mozart. Praeludium und Fuge in C Major, K. The divertimento is in six substantial movements. List of concert arias, songs and canons by Wolfgang Amadeus Mozart. Prokofiev Sergei Classical Symphony Op.

Missa Solemnis in C Major, K. Missa Longa in C Major, K. According to most recent investigations, Mozart wrote not just the 41 symphonies reported in traditional editions, but up to 68 complete works of this type. However, by convention, the original numbering has been retained, and so his last symphony is still known as "No. Some of the symphonies K. There are also several "unnumbered" symphonies from this time period.

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Many of these cannot be definitively established as having been written by Mozart see here. These symphonies are sometimes subcategorized as "Early" — and "Late" — , and sometimes subcategorized as "Germanic" with minuet or "Italian" without minuet. None of these were printed during Mozart's lifetime. Although not counted as "symphonies" the three Divertimenti K. There are also several "unnumbered" symphonies from this time period that make use of music from Mozart's operas from the same time period.

They are also given numbers past There are also three symphonies from this time period that are based on three of Mozart's serenades:.

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Cassationen, Serenaden und Divertimente, Bd.2, No (pp ()) Leipzig: Breitkopf & Härtel, Plate W.A.M. Edwin F. Kalmus. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus. Divertimento in B-flat, K/b Divertimento No. 4. By Wolfgang Amadeus Mozart. Divertimento in B-flat, Full score. Composed

The three final symphonies Nos. It is quite likely that he hoped to publish these three works together as a single opus, although actually they remained unpublished until after his death. One or two of them might have been played in public in Leipzig in Mozart's concertos for piano and orchestra are numbered from 1 to The first four numbered concertos are early works. The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers Raupach, Honauer, Schobert, Eckart, C.

There are also three unnumbered concertos, K. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one, listed below, are original compositions for solo piano and orchestra. Among them, fifteen were written in the years from to , while in the last five years Mozart wrote just two more piano concertos. Mozart's five violin concertos were written in Salzburg around They are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument, though Mozart likely never went through all the violin possibilities that others e.

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Beethoven and Brahms did after him. Alfred Einstein notes that the violin concerto-like sections in the serenades are more virtuosic than in the works titled Violin Concertos. Mozart also wrote a concertone, an adagio and two stand-alone rondos for violin and orchestra.

Arguably the most widely played concertos for horn , the four Horn Concertos are a major part of most professional horn players' repertoire. They were written for Mozart's lifelong friend Joseph Leutgeb. The concertos especially the fourth were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart's day. The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra.

Many of the autographs contain jokes aimed at the dedicatee. These were not Mozart's only attempts at the genre; a few other fragmentary works were also composed around the same time, though not completed. Mozart's earliest composition attempts begin with piano sonatas and other piano pieces, as this is the instrument on which his musical education took place. Almost everything that he wrote for piano was intended to be played by himself or by his sister, also a proficient piano player.