Views View Edit History. This page was last edited on 3 April , at By using this site, you agree to the Terms of Use and Privacy Policy.
Navy photo NH from the U. Navy Naval History and Heritage Command.
Public domain Public domain false false. I would suggest a typo for "insouciant" but it's discarded in the context of the blog , or inconstant. Besides, If you expect to receive any meaningful help, give us some context. You have the full context and you don't understand. Being a writer, especially a poet, is possible if you have tuberculosis and are starving in a garret worked for Keats but you get to travel a bit if you're a Professor - either on your own nickel or at someone else's expense.
You will also have access to many other tools and opportunities designed for those who have language-related jobs or are passionate about them. It can still surprise! You know she's a poet because, on page 2 she writes "Goose feathers, caught on the dry leaves and twigs, frittering in the terse breeze". The next page the breeze has changed: Date circa date QS: Explore the year a word first appeared.
Kathleen Jamie has made copy out of St. Kilda [bloboprev], Greenland, North Rona, paleolithic caves in Spain, the moon and the whale museum in Bergen.
No, she hasn't been to the moon, no woman has, but she's made the logistically difficult trek to those other places and found something poetic and interesting to say about them. You know she's a poet because, on page 2 she writes "Goose feathers, caught on the dry leaves and twigs, frittering in the terse breeze". But maybe she worked long and hard to craft that sentence so that it was both arresting and true to the poet's experience.
The next page the breeze has changed: I don't think that's a word - it's used nowhere else in the googleverse. Later, in the chapter on an eclipse of the moon, two more challenging words appear: FX Fraipont Belgium Local time: These sections are bracketed with acute observations of the Labourd's geography, its economy, and its local customs, including distinctive hairstyles, clothing, dances, and tobacco smoking, all of which lend an air of realism and immediacy to the whole.
This effect is further heightened by de Lancre's habit of injecting personal comments and his presentation of the witches' testimony as freely and even eagerly offered. Fully justifying the Tableau 's reputation as pornographic, de Lancre consistently emphasizes the erotic pleasures afforded by and to the female witch, who implicitly becomes both the means and object of his own simultaneous desire and revulsion. The Tableau offers rich possibilities for examining the intersections of attitudes toward the Other, women, and sexuality at a pivotal point in French history.
This volume will make the text deservedly more accessible. The introduction provides a thoughtful overview.
Although Williams's emphasis on a literal translation occasionally means that nuances are lost, the translation is readable and accurately conveys the impassioned tone of the original. Especially helpful to those who wish to correlate the translation with the French text is that the original page numbers to the edition are given in square brackets in the text.
Explanatory notes, including de Lancre's own citation information, are provided for all names referred to the text, as well as to quotations. The volume also includes some notes on the translation, a glossary of legal terms, and a useful but limited bibliography. Together with its in these days reasonable price, this volume will be very useful in graduate courses and will also be helpful for scholars, especially as the If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.