A Man Could Go Quite Mad

Will Chase - A Man Could Go Quite Mad lyrics

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He sings to the audience, eventually joined by the rest of the cast, imploring them to hold on to life for as long as they possibly can and telling them that 'holding on to life is all. John Jasper - Jasper was madly in love with Rosa Bud, and his violent split personality gladly killed Drood.

Jasper's confession is performed no matter who is chosen as the murderer, and the audience is discouraged from voting for him since he is the obvious solution. Rosa Bud - Meant to kill Jasper in revenge for his lustful advances and also due to her own mental instability caused by Jasper's persecution, but killed Drood by accident as Drood was wearing Jasper's coat.

Crisparkle - Crisparkle was madly in love with Rosa's mother, and he saw Rosa as a reincarnation of her. He murdered Drood so that he could marry Rosa, thinking her to be the woman he loved.

A Man Could Go Quite Mad Lyrics

This version of Crisparkle's confession was introduced in the first national tour, and has been used in all productions since. Bazzard - In an effort to boost his role in the show, murders Drood. This is definitely the most metatheatrical of the endings. Even Durdles admits the silliness of this motive within his solo, but laments that because he has been chosen he must have one. This solo was not used in the original Broadway production and was added for the first national tour. His confession is a reprise of "Off to the Races".

For String Orchestra

As Drood is metatheatrical , the characters of the play The Mystery of Edwin Drood are played by actors of the "Music Hall Royale", within the production. The following are the dual roles each cast member plays. However, as is noted in the script, this is merely a "bit" within the context of The Music Hall Royale - that Miss Nutting only portrays Datchery due to a contractual obligation for her to appear in both acts of the play. Ultimately, the audience decides who Dick Datchery is within the confines of Dickens' story.

For the version of Drood that Tams-Witmark licenses to theater companies, Holmes made a variety of changes to the score and libretto, many of which reflect the versions seen in the London production and the North American touring production. The numbers "A Man Could Go Quite Mad," "Ceylon," "Settling Up the Score," and the quartet reprise of "Moonfall" are not standard but are provided as "additional material" that theaters can choose to perform at their options. Both versions of the cast album are currently out of print, but can sometimes be found often at a high price through secondhand vendors or online auction sites.

This recording did not include "Ceylon" or "Moonfall Quartet", but did include three previously unrecorded tracks: It should be noted that the Australian cast album was performed by a largely non-professional cast and used arguably crude midi sequencing in lieu of a live orchestra. On January 29, , a recording featuring the cast of the Broadway revival was released by DRG Records in a 2-disc set [13] and as a digital download.

Holmes also re-orchestrated the production for a piece orchestra led by Paul Gemignani. After Rupert Holmes wrote an initial draft that lasted three-and-a-half hours, and performed it, solo, for Joseph Papp, Gail Merrifield, and Wilford Leach, the New York Shakespeare Festival's artistic director , Papp offered to produce the show as part of the Festival also known as "Shakespeare in the Park" , and told Holmes that it would be immediately transferred to Broadway if it was deemed a success.

Notably, Holmes conceived most of the orchestrations himself, a rarity for a Broadway composer. After the final Festival performance on September 1, preparations for the Broadway transfer retaining the original cast immediately got underway. Following a great deal of editing the Delacorte version contained 32 original songs and was nearly three hours long [18] The Mystery of Edwin Drood opened on Broadway at the Imperial Theatre on December 2, Roughly halfway through the run, the title of the musical was officially shortened to Drood the name it continues to be licensed under.

The show ran for performances not including 24 previews , and closed on May 16, The Broadway production was produced by Papp and directed by Leach, with choreography by Graciela Daniele. Before the show ended its run, Murphy, who was understudy to Cleo Laine and Jana Schneider, took over the title role.

Rose was succeeded by Clive Revill. The production was directed by Matthew Gould.

From Wikipedia, the free encyclopedia. For the Dan Simmons novel, see Drood novel. For a German succubus, see Drude. This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions.

October Learn how and when to remove this template message. The New York Times published August 28, Check date values in: The New York Times. Musical Cast Album Database. Songs You Never Heard From". The New Broadway Cast Recording: Archived from the original on The Internet Broadway Database. The Chicago Tribune published April 15, James The D Case humorous literary critique. The Last Dickens novel.

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