One week later, the film O descobrimento do Brasil by filmmaker Humberto Mauro was premiered. Cinematographic images gained the same status as that of fine arts and didactic books.
By the end of Villa-Lobos composed the soundtrack. Camisa Verde e Branco G. Views Read Edit View history. It stemmed from a request made by the Cocoa Institute of Bahia, which had invited Mauro to produce a short feature propaganda film that ultimately resulted in the film O descobrimento do Brasil.
However, they were forgotten by critics because, in comparative terms, they are precarious and do not resemble any of the other films made by this film director from the State of Minas Gerais. Morettin points out that the movement of the State and of the conservative intellectuals in the period from to , during which the two films had an exemplary function, ultimately provided Brazilian cinema with cultural legitimacy. To this end, authentication strategies were used to distinguish the educational film from the melodramatic films of those times, in which there was no concern about historical facts.
At that time, the government implemented a number of measures to support film production: For organizers of exhibitions, cinema provided the necessary link with the contemporary world. He pioneered the use of mass communication, such as radio and cinema, to transform society.
The State was asked to deal with the issue. Roquette-Pinto, director of the institute, invited Humberto Mauro to be the technical director. Through her work, Nise da Silveira introduced Jungian psychology in Brazil.
A few years later, in , Nise da Silveira developed another revolutionary project for her time: She also formed the C. Jung Study Group, which she chaired until Her research on occupational therapy and the understanding of the psychotic process through images of the unconscious gave origin, along the years, to exhibitions, films, documentaries, audiovisuals, courses, symposiums, publications and conferences.
She was also a pioneer in researching emotional relations between patients and animals, whom she used to call co-therapists. In recognition of her work, Nise da Silveira was awarded decorations , titles and prizes in different areas of knowledge.
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She was a founding member of the International Society for Psychopathological Expression headquartered in Paris, France. Her work and ideas inspired the creation of Museums, Cultural Centers and Therapeutic Institutions in Brazil and overseas. Nise died on October 30, , in Rio de Janeiro. Her life and work were portrayed in a Brazilian movie, Nise: The Heart of Madness , directed by Roberto Berliner.