Disguising at Hertford

18.12.02, Butterworth and Normington (eds.), Medieval Theatre Performance

It will then put John Lydgate, poet and monk of St.

Mummings and Entertainments by John Lydgate, edited by Claire Sponsler

Edmunds Abbey at Bury St Edmunds into context. Dancers disguised in a mumming.

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A civic mumming was enacted for the young king Richard II at the palace at Kennington, Christmas We know who the mummers were and how they were disguised. We are told of the music that accompanied them and the mysterious silent game of mumchance that was played.

The Disguising at Hertford

But then who danced what and with whom? Lydgate wrote poetic texts or ballads for five mummings and a disguising c, enacted at Windsor, Eltham, Bishopswood and London. Themes were drawn from chivalric, classical, allegorical and biblical sources.

Characters depicted values and vices integral to early renaissance cultural representation. They were masked and costumed but the nature of the physical performance is not recorded.

How might dance or drama, debate or dumb show have been utilised to convey the enactment of such diverse material? You also may like to try some of these bookshops , which may or may not sell this item. Separate different tags with a comma.

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To include a comma in your tag, surround the tag with double quotes. Skip to content Skip to search. Home This edition , English, Book edition: Published Project Gutenberg, Author Lydgate, John, ?

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Series Project Gutenberg ; Subjects Lydgate, John, ? English literature -- Middle English, -- History and criticism. English literature -- Middle English.

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Be the first to add this to a list. Tags What are tags? Journal of literature, history, and the philosophy of history vol. Access Conditions Freely available. The chapters follow an introduction covering what constitutes performance and performance boundaries and distinctions that exist between different forms like theatre, dance, puppets and automata.

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