Cantata No. 3 Ach Gott, wie manches Herzeleid, BWV3

Ach Gott, wie manches Herzeleid, BWV 3 (Bach, Johann Sebastian)

Bach composed the cantata in his second year as Thomaskantor in Leipzig as part of his second annual cycle, planned to consist only of chorale cantatas based on Lutheran hymns. The cantata is a chorale cantata based on the hymn " Ach Gott, wie manches Herzeleid " in 18 stanzas attributed to Martin Moller It is a paraphrase of the Latin " Jesu dulcis memoria ", a medieval hymn attributed to Bernard of Clairvaux , [4] a meditation on Jesus as a comforter and helper in distress.

In movement 2, stanza 2 is expanded by paraphrases of stanzas 3—5, while movement 3 is a paraphrase of stanza 6; movement 4 incorporates ideas from stanzas 7—14, and movement 5 relies on stanzas 15 and In movement 2, stanza 2 is expanded by paraphrases of stanzas 3—5.

Cantata No.3, Ach Gott, wie manches Herzeleid, Bwv3 by Shinji Ishihara on Amazon Music - www.farmersmarketmusic.com

Movement 3 is a paraphrase of stanza 6. Movement 4 incorporates ideas from stanzas 7— Movement 5 relies on stanzas 15 and Bach led the first performance of the cantata on 14 January Bach structured the cantata in six movements. An opening chorus and a closing chorale frame a sequence of alternating recitatives and arias.

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The first recitative is unusual: Bach scored the work for four vocal soloists soprano S , alto A , tenor T , bass B , a four-part choir and a Baroque instrumental ensemble of horn Co to double the cantus firmus in the closing chorale, trombone Tb to reinforce the bass in the opening chorus, two oboes d'amore Oa , two violins Vl , viola Va , and basso continuo.

Bach", which means "Sunday 2 after Epiphany In the following table of the movements, the scoring and keys follow the Neue Bach-Ausgabe.

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The melody appears in the opening chorus, sung by the bass as a cantus firmus , in the second movement, as a four-part setting with interspersed recitatives, and in the closing chorale. Its mood of lamentation is supported by "elegiac sounds" of the oboes d'amore, sighing motifs in the strings, and the upper voices reflecting the oboe motifs. The motif is used for the instrumental opening, each entry of a voice, interludes and conclusion.

A tenor recitative, " Es mag mir Leib und Geist verschmachten " My body and spirit might despair , [1] expresses trust in Jesus to overcome despair. In the duet for soprano and alto, " Wenn Sorgen auf mich dringen " When cares press upon me , [1] in "bright E major ", as the Bach scholar Christoph Wolff writes, the voices are embedded in a "dense quartet texture".

He concludes that the movement "banishes human care by means of joyful singing". The closing chorale, " Erhalt mein Herz im Glauben rein " If my heart remains pure in faith , [1] is a four-part setting. The choral melody, now in the soprano, is reinforced by a horn.

Cantata No. 3, 'Ach Gott, wie manches Herzeleid', BWV 3

The selection is taken from the listing on the Bach-Cantatas website. From Wikipedia, the free encyclopedia.

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The changing of the water to wine may however have been seen by the librettist as an allegory of the power of Jesus to change human predicament to heavenly joy. Contents 1 Performances 1. Get to Know Us. Masaaki Suzuki Bach Collegium Japan. Naxos Javascript not enabled.

Chorale cantata by J. Download this recording from: Ruth Holton ; Alto: Sytse Buwalda ; Tenor: Knut Schoch ; Bass: Frank Wakelkamp, Thomas Pitt; Double-bass: Trudy van der Wulp; Organ: Nicolaschurch, Elburg, the Netherlands. Aria - Duet [S, A] [5: Cantata BWV 3 [ Joanne Lunn ; Counter-tenor: Richard Wyn Roberts ; Tenor: Julian Podger ; Bass: David Watkin, Ruth Alford, Double-bass: Isabella de Sabata; Balance Engineer: Aria - Duet [S, A] [7: Sandrine Piau ; Alto: Bogna Bartosz ; Tenor: Paul Agnew ; Bass: Jonathan Manson, Catherine Jones; Double-bass: Nicholas Pap; Oboes d'amore: Adriaan Verstijnen; Production Coordination: Dorothee Mields ; Counter-tenor: Pascal Bertin ; Tenor: Peter Kooy Instrumental Soloists: Atsuko Ozaki; Violin l: Yoshiko Morita, Amiko Watabe Continuo: Masaaki Suzuki ; Organ: Naoko Imai Concerto Palatino: Bruce Dickey ; Alto Trombone: Ole-Kristian Andersen; Tenor Trombone: Charles Toet; Bass Trombone: Uli Schneider; Sound Engineer: Bastiaan Kuijt; Executive Producer: Martin Petzold ; Bass: Aria - Duet [S, A]: Erhalt mein Herz im Glauben rein [8: Arwen Myers ; Alto:

Bach - BWV 3 - 1. Coro : Ach Gott, wie manches Herzeleid