Jesus on the Cross, from Seventy-Nine Chorales, Op. 28, No. 16


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Digital Sheet Music for Jesus on the Cross, from "Seventy-Nine Chorales", Op. 28 , No. 16 by Marcel Dupre, scored for Organ Solo, id Abide With Us, O Lord Jesus Christ, from "Seventy-Nine Chorales", Op. 28, No. 1 . Jesus on the Cross, from "Seventy-Nine Chorales", Op. 28, No. $

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Heinrich Heine wrote in his essay De L'Allemagne depuis Luther , a history of emancipation in Germany beginning with the Reformation , that "Ein feste Burg" was the Marseillaise of the Reformation. In addition to being consistently popular throughout Western Christendom in Protestant hymnbooks, it is now a suggested hymn for Catholic Masses in the U. The first English translation was by Myles Coverdale in with the title, "Oure God is a defence and towre". An English version less literal in translation but more popular among Protestant denominations outside Lutheranism is "A mighty fortress is our God, a bulwark never failing", translated by Frederick H.

Hedge in ; this version is the one included in the United Methodist Hymnal. Another popular English translation is by Thomas Carlyle and begins "A safe stronghold our God is still". Most North American Lutheran churches have not historically used either the Hedge or Carlyle translations. Traditionally, the most commonly used translation in Lutheran congregations is a composite translation from the Pennsylvania Lutheran Church Book "A mighty fortress is our God, a trusty shield and weapon".

In more recent years a new translation completed for the Lutheran Book of Worship "A mighty fortress is our God, a sword and shield victorious" has also gained significant popularity. He used strains of the tune in his Christmas Oratorio. George Frideric Handel used the melody in his Solomon , which is probably a wrong attribution. Felix Mendelssohn used it as the theme for the fourth and final movement of his Symphony No. Giacomo Meyerbeer quoted it in his five-act grand opera Les Huguenots , and Richard Wagner used it as a "motive" in his "Kaisermarsch" "Emperor's March" , which was composed to commemorate the return of Kaiser Wilhelm I from the Franco-Prussian War in Claude Debussy quoted the theme in his suite for piano duet, En blanc et noir.

Ralph Vaughan Williams used the tune in his score for the film 49th Parallel , most obviously when the German U-boat surfaces in Hudson Bay shortly after the beginning of the film. Mauricio Kagel quoted the hymn, paraphrased as "Ein feste Burg ist unser Bach", in his oratorio Sankt-Bach-Passion , which tells Bach's life and was composed for the tricentenary of Bach's birth in From Wikipedia, the free encyclopedia. The German text of "Ein feste Burg" sung to the isometric, more widely known arrangement of its traditional melody.

Christian music portal Lutheranism portal. Concordia Publishing House, , , No. Fortress Press, , —08, nos. A History of Modern Europe: From the Renaissance to the Age of Napoleon. Concordia Publishing House; Minneapolis: Fortress Press, — , CPH, , , Librairie Fischbacher, , 23 italics original: Archived from the original on 26 December Correcting Some Misunderstandings , page Verbum, , Item , which uses Johan Olof Wallin 's revision of the translation attributed to Petri.

Gardiner , in his liner notes to his recording of the oratorio, stated the usage of the melody in No. It is however another melody by Martin Luther: See also "archived copy". Archived from the original on 4 October Retrieved 3 October University of Rochester Press, , Ein feste Burg ist unser Gott. Johanne Chrysostomo edition. Luther Monument , Washington D.