Lesprit souterrain: édition intégrale (Littérature russe et slave) (French Edition)

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This suggestion seems paradoxical, truth and lying being seem to be hard to reconcile. The problem of remembering Manuel p. Du Bois also points out the difference between what he is and what he thinks he is, showing that how he conceives himself does not necessarily correspond to what he really is. The subjectivity that is inherent in any autobiography prevents any objective, realistic, reliable presentation. Focus on the painting above: If it is a self-portrait, what does it suggest?

Relate it to the questions of self-representation, time, memory as developed in the text. Many elements may strike one when focusing on this painting; among them, a few can be mentioned: The missing part may allude to his impending disappearance, or it may point to the problems of memory: The peculiar use of colours may signal that it is his own vision, personal interpretation of himself that he wants to convey: The streaks of blue paint draw attention to the very process of painting, as if one could see the patches of colour still dripping from the canvas.

Do the lines try to deface the face? Why are they linear and vertical? Does the blue patch try to cover up something? To what extent is self-representation a matter of creation, recreation? The stress is laid on the notions of imagination —dream— and invention, maybe even distortion. Self-life writing is elusive as its very material, the self, is elusive, changing and enigmatic: La consigne de la task 2 devient: One of you will be the host, the others will be the guests.

To prepare his programme, the host will submit a series of questions to the guests before the show, for them to anticipate their answers.

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The interviewees will then confront their perceptions of that episode. The episodes of a life it generally contains are: Some may check data and facts to offer a realistic vision of their past, in order to be true. Some writers try to be as complete as possible in their writings. Truth may not be reached through a list of facts and details, it may be different from reality. Is it still apposite to talk about autobiography if everything is a matter of creation, production and not reproduction?

Their idea is to recapture and present their former selves without any interference coming from their more mature selves. All this implies that the reader plays an active part, playing the part of a critic. Self-life writing is a recreation of that life, as well as the creation of oneself as a writer. Autobiographies therefore seem to be a matter of creation, of invention rather than repetition, imagination rather than duplication.

They may not necessarily be romantically involved or even married but they are viewed as a couple because they are closely associated. Moreover, a couple does not always include a man and a woman. Odd means strange or unlikely. You usually tend to become friends or involved with people you share common features or interests with.

It is usually easier to strike a friendship and pair up with someone whom you can relate to or identify with. They are both standing in the street the man is leaning on a pole. They are both staring at something the young boy is pointing at: They may well be father and son but we cannot tell for sure what their relationship is based on. Maybe the boy is an orphan and the man has taken him under his wing. He discovers a baby on the street and takes responsibility for him. The boy becomes his partner in minor crime, breaking windows that the Tramp can then repair.

The people involved in odd couples can be: They become friends, team up, or are brought together for various reasons. In The Odd Couple, two friends become roommates following breakups with their wives. Ralph Waldo Emerson suggests that friendship is a dynamic process that brings together personalities that may not be alike but rather opposite. William Blake also underlines that opposition lies at the core of friendship.

He deems it positive. There is a gap between the two characters as far as age and appearance are concerned. In Up, the enthusiastic young boy scout is poles apart from the grumpy old man he pairs up with. Yet they are bound up, as the rope that ties them to the house suggests, because they share the same spirit of adventure, however different their characters may be. Dynamic opposition was also the essence of the friendship between artists Andy Warhol and JeanMichel Basquiat.

Besides being physically radically different as the picture highlights , they complemented each other. The Help emphasizes that friendship is about sharing humanity and thus can bring people together beyond barriers such as the colour line.

Eliot et Groucho Marx. Read the text 1. Mutual warmth and respect Manuel p. Bones was a pup. Although he is unable to speak properly, he understands human speech. Bones against human malevolence. It may seem odd that a dog and such an eccentric man should have become inseparable and come to a complete understanding.

Yet, if we are to judge from the example of Mr. Bones and Willy, characters in an odd couple can be on the same wavelength. Their own oddities or peculiar circumstances can bring them together. A mesmerizing bond Manuel p. George pense, Lennie agit. I never get no peace. Lennie may have behaved badly as usual and accidentally killed a mouse by petting it too hard: Lennie seems eager to appease George. Once they have saved enough money, they will have a place of their own: They hope to own their own land, settle down, farm and tend rabbits and have enough to live on.

George tells most of the story as an experienced story-teller l. George pretends to be reluctant to go on, saying there is no point telling a story Lennie knows by heart l. Colloquial, direct language characteristic of the uneducated, omit or simplify words, break the rules of grammar. The story delights Lennie. It seems as though it soothes and comforts him just as a bedtime fairy story comforts a child. We can guess that their lives are hard, insecure and unrewarding. The vivid intensity of their dream offsets the misery of real life and their loneliness.

Lennie provides the real driving force behind the dream and being his keeper gives George the role and direction in life that keeps him from wasting money on transient good times l. As they are migrant workers, probably displaced from families broken up by the need to travel for work, their friendship is unusual. Yet there is mutual dependency in their couple, which is the basis for sharing their dream. They are alone in the world and their lives are bound up together. Understanding the fact 1. She is full of empathy towards her, eager to please her, to get more intimately and closely acquainted with her, so much so that her own personality appears self-effacing.

Their relationship is therefore based on alternating proximity and distance. Yet some distance between them is created due to a lack of understanding: All this stresses the fact that for Genna, nothing is certain or clearly stated. She can only express suppositions and hypotheses. I think I laughed.

The epanorthosis shows the doubts she has, obliging her to modify each statement she gives, while the anadiplosis brings into relief the ambivalence of their relation: Genna seems to be the only one making all the efforts to strike up a friendship with Minette: Yet, though she appears to the reader as being quite lonely in that couple, she does not seem to fully realize or acknowledge it.

Racial relationship in the United States is a very complex issue. Even after the victory of the Civil War and the abolition of slavery in the second. Still, the relationship between the two girls shows that the racial issue is far from being a thing of the past in the s in America.

Her attitude may be the result of what her community underwent for many years, and is in that sense, understandable yet it is hard to approve of or sympathise with such disdainful behavior on her part. What personality does she really have, then? As a consequence, the former victim has thus become a kind of bully, while the former bully now turns into a meek, sheepish character. It might be interesting to develop this discussion and relate it to the election of Barack Obama, who, as the son of a black man from Kenya and a white woman from Kansas, integrates both communities and has relatives scattered across three continents.

The issue of racial relationships in America has reached another dimension with his presidency. The picture is a faithful representation of Minette: She stands out against a background of rather mundane, banal students which is here illustrated by their being blurred. She looks kind, while Minette is described as disdainful. It takes one strange god to know another Manuel p. Estragon sounds disappointed and pessimistic, not wanting to go anywhere else. Yet they do not leave the stage and stand still. Both are tramps, waiting for the same thing: Their similitude is reinforced by the echoes to be found in their cues: This theme of repetition is one of the features of the Theatre of the Absurd.

Moreover, the optimist as played by Vladimir, and the pessimist, as performed by Estragon are nothing else than the two sides of the same coin. Put together, they form but one human being, one single identity. What is interesting in the way they communicate is the repetitions they use cf. What seems important is not so much the meaning of their words as the fact that they utter words to keep contact, to establish and maintain connection.

This is what Roman Jakobson calls the phatic function of language, when words are used for the sake of interaction, regardless of the meaning of the conversation. What is striking in the link between cues and stage directions is that there is a gap between what the characters say and what they do.

This discrepancy between words and action may show that words have become meaningless as they do not impact reality. Yet they are what is left to people, that is why people still resort to them. The audience does not know why he is being expected, yet the spectators understand that his presence is greatly needed. Godot may represent hope, some change for the better, God The place does not point to a particular country.

The scene could take place anywhere in the world. The setting as well as the characters thus acquires a universal dimension, which leads any spectator to identify with what happens on stage.

Both characters may represent mankind. The moon may allude to the cycle of Nature and Life. It is to be related to the theme of repetition that was previously developed. The fact that the moon stands still is an echo to what happens on stage, where the characters do not move. They end up looking more alike, using the same words, repeating the same things, having fallen victim to habits, routine, yet still feeling that deep inside, they are irreducibly different.

Why they stay together is never clearly explained, it remains mysterious 7. Many elements relate this extract to the Theatre of the Absurd: To what extent does it take one strange god to know another? This sentence is polysemous: Other interpretations may obviously be developed. Exploring or exploding the canon: How Fans Rewrite Fiction. Shaking Shakespeare alludes to the various rewritings, adaptations, transformations, etc. They are a way to shake what has come to be seen as tradition, canon. Canon Types of transformation Derivative work Canon A: Harry Potter Canon B: Conversely, as the texts suggest, if people are already given some elements about characters, plots, it may help them get rid of whatever inhibition they may have when confronted to a blank page.

A new time period and location Manuel p. Tony serenades his lover on the fire escape. There is a tension between danger of being found with the enemy and passion. Romeo serenades his lover from the orchard. The previous table shows the many similarities between both texts. The change from the nurse to the father makes the situation appear even more dangerous as a father is more directly related to his child than a nurse, hence heightening the risk run by the two lovers. The back alley creates an urban, hence maybe more dynamic setting, than the bucolic location of the orchard in Romeo and Juliet.

Resetting the play in the s also allows Laurents to change the language and style. TONY I love you.

When will I see you? In West Side Story text 1 , the text is based on repetitions: Presence of natural elements: Some metaphors are also to be mentioned: In Romeo and Juliet text 2 , the resort to repetitions is also an important feature: The text is fraught with metaphors and similes: Texte de West Side Story: Inventing new characters manuel p.

The emphasis laid on the cosmic dimension of love, echoes the vision Elizabethans had of the world The Elizabethan World Order , whereby correspondences were established between what happened at a personal level and what happened at other levels universal, natural, social, animal…. Mainly the settings differ: Last but not least, one should bear in mind that Shakespeare did not invent the story of Romeo and Juliet. The play is also quite similar in plot, theme, and dramatic ending to the story of Pyramus and Thisbe, told by Ovid, the Roman poet in his Metamorphoses.

This shows that the process of rewriting and adapting is not a new one, and that in the past, people did not pay as much attention to the concept of intellectual property as they do now. The language of love is often assimilated to poetry, and this passage from Romeo and Juliet bears its characteristics: Using a musical to adapt this play is thus quite apposite as a musical also resorts to the same devices. Using music to speak the language of love is thus relevant to be compared with the use of other artistic means like painting, sculpture: Imagining offstage events Manuel p.

Her relationships with adults: She is also very close to the armourer: Fearless, daring, bold, dauntless, intrepid: This is why she wants complete darkness. If she is to commit murder, she has to get rid of these supposedly womanly characteristics. She speaks as if she needed some external help to commit her crime. This assistance takes the form of spirits helping her to execute her murderous plan. The imperative mode may in fact address no one else but herself.

Lady Macbeth is an ambitious character as she wants her husband to become king which will lead her to the throne too. She appears very determined, authoritative use of the imperative mode , ruthless, violent, and yet by insisting so much on getting rid of any feeling of guilt and compassion, she may betray her inner sensitivity. As an adult the charming features seem to have disappeared or at least they do not seem present here 5. It announces the future development of her criminal temper. It is a prolepsis. The text on p. It contains all the germs of character that one recognizes in Lady Macbeth when she reaches maturity.

The painting on p. She seems very inquisitive, self-assertive, giving us a piercing look. The lady on p. Lady Macbeth is an important character, a noble woman, who means murder and death. What would happen if… Manuel p. Relationship between the characters Topic of their discussion Tone of their discussion Portraits of the characters that are referred to Text 1 Mother and son: Gertrude and Prince Hamlet Brothers: King Hamlet and Claudius Husband and wife: Text 2 Mother and son: Text 1 Text 2 Metaphors: Hyperion, Jove, Mars, Mercury, god physical appearance: She gives indication as to what Hamlet is doing while she speaks.

Indeed, in the original tragedy, the style is lofty and noble with the use of metaphors, similes, etc. She looks very detached, self-assured and even proud of her deed: He is reduced to silence, just as he tries to silence his mother by delivering his long speech in the tragedy. Prince Hamlet is here no more than a ghost, a presence felt but never heard nor seen, just as his father who has been turned into a ghost too.

King Hamlet also suffers a burlesque reversal: King Claudius changes from a usurper, murderer, villain… to a bon viveur. In terms of style, the burlesque reversal has already been pointed out. One may also signal the difference in rhythm: The plot is also changed as it is no longer Prince Hamlet accusing his uncle and mother, but Gertrude herself proudly confessing to her crime. The effects these changes produce: It explores the canon is so far as it requires a perfect knowledge of the original play to understand the innuendoes, twists, that Atwood uses or creates.

It explodes the canon in so far as it gives it a new turn of event: The strange element is the presence and intervention of Constance, a contemporary character, in the tragedy. His work is not presented as being unique but as borrowing from other texts. The myth according to which he was such a genius that he invented each of his stories is here totally debunked.

This may show that all piece of literature borrows from previous works before becoming itself a source of inspiration for other artists. By intervening, she changes the original course of the tragedy and transforms what was a tragedy into a play with a happier ending a comedy, or a farce, as she says. Yet she does not know if her intervention was planned by the author in which case she is just a character of the play, among other characters , or by herself in which case she becomes a dramatist herself, or even a stage director of the play.

She has been turned into a character herself. The tone of the passage becomes comic when she intervenes. There are visual comic effects presented in the stage directions: The amazement of the two male protagonists is also part of the visual comic effect. Her long speech also contains humorous lines: If one considers that there is such a thing as intellectual property, then characters belong to those who created them: However, the idea of intellectual property is a rather new concept, as a lot of writers in the past, like Virgil, were not the originators of the stories they told, and did not consider it a problem to pluck from other sources.

They considered that only the gods owned the characters and all creation in general. Faire jouer ces dialogues devrait constituer une motivation. Characters often offer complex, fascinating, rich personalities: Then, the reader has to compare both works to see what is. It requires analytical skills. The reader then has to see whether this remodeling is successful or not: Rewriting a canon both explores and explodes it.

War, Fascism, concentration camps, rubber truncheons, atomic bombs, etc. We cannot help this …. Comme le souligne Malcom Bradbury manuel p. Comme dans toute fable et tout conte, il y a une morale. Ajout d'une question p. Comment on the picture. How can it be linked to the title and theme of this chapter? Le premier extrait Text 1, manuel p. Chapter I Action set on a farm called Manor Farm. Owner is called Mr Jones. He is still the undisputed master — he has a gun. Chapter II Major dies soon after that evening. The Rebellion happens sooner than expected.

Text 1 Manuel p. Their behaviour announces what may come: Chapter III Animals now have their own ideology and own the means of production. They settle in their new routine and have new rituals: There is a semblance of democratic utopia but: Napoleon takes no interest in them. The lies the men spread about Animal Farm show how afraid they are of losing their power and their property. Chapter V Cracks and faults are showing: It takes place in the barn.

All the animals attend the Meeting — except the dogs which only appear when Napoleon calls for them. Up to now, the animals have been able to talk about the organization of their work and of the farm. They have been lied to and manipulated but they could at least ask questions and voice their doubts. Read on Le texte p. Shortages begin to occur. Napoleon declares trade must be opened with the neighbouring farms: Whatever goes upon two legs is an enemy. Whymper is not yet a friend but is no longer an enemy. Whatever goes on four legs, or has wings, is a friend. Snowball has been expulsed; Mollie has gone.

Text 3 Manuel p. Men have accepted the existence of Animal Farm: They are still not convinced it can succeed, and some openly hope it will fail but business is business and dealing with Animal Farm is not unimaginable to them. The Pigs move into the farmhouse and use it as men would meals in the kitchen, drawing-room as recreation room, sleep in beds. The fourth commandment is changed: His role is to confuse the animals so that all they can do is conclude that he is right.

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Squealer always proceeds with logic but that logic is fraught with contradictions. Chapter VI The fear and terror tactics continue when Napoleon blames the destruction of the windmill on Snowball. There are now two enemies to fear: The problem is not that the pigs are sleeping in beds as humans did, it is rather that they are abusing their power in a manner similar to the humans. Whymper and negotiates with Mr. Rumours spread about Snowball: Chapter IX Food shortages continue and all animals receive reduced rations, except for the pigs and the dogs.

More stories are spread about Snowball. Moses the raven returns to the farm and once again sings the praise of Sugarcandy Mountain. Squealer does what he is good at: Chapter X Years have passed; many animals who had witnessed the Rebellion have died. The only animals that even remember the Rebellion are Clover, Benjamin, Moses, and some of the pigs. Text 4 Manuel p. Other animals Farm work: What conclusion can you draw about Animal Farm now?

The animals do not give hope because they: Learning another new song: Read the text to the end. Explain what is happening. Why would you say l. The description of the animals walking on their hind legs is similar to their entry on a stage: In your opinion what is the new song Squealer is teaching the sheep? Perhaps one which will praise those animals that can walk on two legs. Read on Read on, until you reach the end of the book. Compare the image of Napoleon above with the one on p.

The image of Napoleon: They look like animals: Unlike men, they are not physically weak.

Napoleon has become such a Lord. History has been changed and rewritten. Suite du Read on: Inspired by what happened in the USSR in the s: Struggle between Stalin and Trotsky for power. Stalin becomes leader of the USSR until , a year before his death. Events in history Events in Animal Farm Increase of the power of the state police The role of the dogs The cult of personality: No animal shall sleep in a bed with sheets. No animal shall drink alcohol to excess. No animal shall kill any other animal without cause.

Given all these violations, it is only logical that: Commandment 3 sinks into oblivion: The most disturbing in Animal Farm is not the transformation of pigs into Men but how easy that transformation is, how natural and logical it seems. Animal Farm is also a comment on the nature of man: No animal must ever tyrannize over his own kind.

Weak or strong, clever or simple, we are all brothers. A political essay would: Napoleon the tyrant Snowball his rival Squealer his minister of propaganda Moses the raven the hope in a hopeless world the church? Toutefois, un ensemble de documents de nature diverse iconographies, articles, etc. Premier article, The Known World of E. Blues et ballade narrent des histoires sous forme orale.

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Before reading Lost in the City 1. It is not part of any other state and is quite small actually compared to the size of American cities. It is where the President lives. Supreme Court is also to be found in D. It is more than the political capital of the U. It is one of the most visited cities in the U. It is also a place where in almost , people live according to the bureau of the census.

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P Jones was born and raised in this predominantly black city where he chose to set his stories. P Jones depicts the black community in D. Themes, characters, and overall atmosphere in the stories: Main characteristics of short stories: Oxford Dictionnary of Literary Terms, O. Usually, a short story will focus on only one incident, has a single plot, a single setting, a limited number of characters, and covers a short period of time.

The title is frequently polysemous. In one form or another, setting is essential to the story. Often, the relevance of the story is lost in another setting. Sometimes the theme is stated, sometimes it is only implied. The way ideas are conveyed can be studied through the type of narration and the point of view, the sentence structure or imagery. The First Day Manuel p. Guidelines Read the whole story once 1. The plot is simple: Everything she wears is new from her underwear to her shoes. She has a sophisticated hair-do and even some perfume.

The day is far from being common. As for her breakfast, she is properly, uncommonly fed with cereals, so that she will not go hungry during her time at school. The rest has disappeared. Because she has such a high opinion of education, she wants her daughter to be ready to face this new challenge, with brand new clothes, an unusually substantial breakfast, an impeccable hair-do and perfume. The narrator and the mother: As time went by, she learned to be ashamed of her mother.

She does no longer see her mother the same way. They are at the wrong school; given their address, they should go somewhere else. They have to change schools. On the cover two beautiful models can be seen: The young narrator is not used to seeing such glamorous and elegant women for real. They show they do not belong to the same social class. This sentence is repeated, underlying the weirdness of that feeling for the little girl who does not know her.

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