La bellezza non è un frutto proibito (Gli emersi narrativa) (Italian Edition)

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The crypt was finished in After a difference of opinion with Embrico, Ailbertus departed in He died in Sechtem , near Bonn in In , the bones, thought to be those of Ailbertus, were transferred to Rolduc and interred in the crypt built by himself and Embrico. The first abbot of the monastic community was Abbot Richer who came from Rottenburch in Bavaria. The community was made up of canons regular Augustinians who initially lived according to extremely strict principles. Community life, prayers, lack of possessions, fasting and manual work were all part and parcel of the daily cycle.

After guardianship of the abbey fell into the hands of the Duchy of Limburg in , Kloosterrade was considered to be their family church. His tombstone can be found in the main aisle of the church. From the midth century to the end of the 13th century the abbey flourished.

In the abbey owned more than 3, hectares of land and the number of regulars grew steadily. The library developed into one of the most important of its age and the Abbey provided pastoral and spiritual care to many parishes throughout the Netherlands. Other communities were founded by Kloosterrade: Five communities in Friesland were placed under the authority of the Abbot of Kloosterrade, the most important of these being the Abbey of Ludingakerke.

During the 14th, 15th and 16th centuries times were harder for Kloosterrade in both spiritual and material terms. The buildings and fabric paid a heavy price during the Eighty Years War. Materialistically, the abbey began to prosper once again and revenue was generated from the exploitation of the coal mines. In around , Kloosterrade employed mineworkers. The abbey was dissolved by the French occupiers in and the canons regular were forced to leave the community.

After Belgian independence , this seminary moved to St. Truiden in Belgium and Rolduc became a boarding grammar school for boys from well-to-do Dutch families. From to , the buildings were used to accommodate a seminary, but now under the auspices of the Diocese of Roermond. The boarding school closed in The crypt and the choir and chancel above have a cloverleaf pattern. The western-most part of the crypt the stem of the cloverleaf was built later. When the crypt was consecrated in , it was smaller than it is today.

Remarkable is the fact that the columns in the crypt all have a different design. The chancel above the crypt was completed in and eight years later the northern and southern transepts were constructed. The crossing had not yet then been raised, so that it was flanked by two wings on the same level. This transversal gallery consisted of three sections, the roofs of each comprising a vaulted ceiling supported by columns.

In , the church was extended westwards with a further three sections. In the original design, two smaller sections in the side aisles were planned to the south of these three sections. This plan was changed during construction. In the second and later in a fourth section, the aisles on either side were raised to the same height as the nave to form so-called pseudo transepts, so that on the outside of the church they look like transepts, whereas in fact they do not extend beyond the foundation plan of the church. These pseudo-transepts were not initially intended to be aesthetic, but designed to give better support to the vaults and to allow more light into the church.

The same construction method was also used in the older Mariakerk now demolished in Utrecht and later used in the Onze Lieve Vrouwekerk in Maastricht.

G.D MEMORIA E FUTURO. UNA STORIA PER IMMAGINI

When the three sections of the nave were completed in , a solid enclosing wall was built at the end of the third section. This third section was not yet then vaulted and in , the thatched roof was replaced by tiles. Later in the twelfth century, the exact date is not known, a fourth section was built and the church extended further westwards. Originally, this would have consisted of a middle section on which the tower now stands and two lower side aisles. The tower extended no further upwards than the ledge that can be seen on the outside under the gothic windows.

The westwork would originally have been much lower and compacter than now. The church was completed and consecrated in Prior to , the crypt was extended westwards, the stem of the cloverleaf, as it were, being made longer. The choir above it was consequently raised along the same length. This raised section, in the crossing, likewise cut the transepts in two. In the sixteenth century, in line with the fashions of the time, the Romanesque trimmings were removed from the crypt and the choir and replaced with Gothic designs.

The two side recesses of the crypt and choir were demolished and the circular windows replaced with perpendicular ones. In the mid-eighteenth century, the crypt was plastered in rococo style. The choir stalls were installed on the crossing in the choir in the seventeenth century. Their carvings are simple but powerful in design. A tower was constructed on the westwork in and in , its stone steeple was replaced by one made in timber with slates.

In , the young architect, P. Cuypers, was commissioned to restore the crypt and to reinstate as much as possible the original Romanesque fabric. The first restoration projects were also carried out on the church at the same time. Restoration of the church was resumed in , including the reconstruction of the side recesses in the cloverleaf layout. As faithful as possible a reconstruction of the old chancel was carried out on the basis of the old foundation plans that had been found.

The frescoes were painted between and by the Aachen-based priest, Goebbels. The tombstones of the abbots in the side aisles were removed and placed vertically outside the church and against the walls in the transept. From both inside and outside, they give an impression of grandeur, reflecting to some extent the status of the abbots, who had been rewarded with the right to wear the mitre ever since the time of van der Steghe.

The quadrangle, which housed a courtyard surrounded by the cloisters to the north of the church show little of the original form which was less elevated than today. The western side is more or less original, but the other sides have been raised and altered in the course of time. The eastern wing, which looks directly onto the gardens, was built by Moretti, an Aachen-based architect between and The splendid library which it houses has plasterwork designed in late eighteenth century rococo style.

To the south of the main complex is a farmstead dating from the end of the eighteenth century. For a long time it remained in private hands, but was bought back by Rolduc in and restored. The southern wing, on the right-hand side when you are facing the church, was built in as a school. Between and , the building that make up Rolduc, including the crypt and the church with their frescoes, underwent major restoration work.

In , Rolduc received the Europa Nostra Award, a prize awarded in recognition of projects that contribute to the upkeep of the European cultural heritage. Die Krypta wurde fertig gestellt. Nach Uneinigkeiten mit Embrico zog Ailbertus weg. Er starb im Jahr in Sechtem bei Bonn. Die Abtei wurde Kloosterrade genannt. Walram III von Limburg. Sein Grab befindet sich im Mittelgang der Kirche. Die Abtei von Ludingakerke war die wichtigste. Jahrhundert erlebte die Abtei eine lange Periode des geistigen und materiellen Verfalls.

Das letztendliche Internat wurde geschlossen. Dadurch entstanden die so genannten Pseudo-Querschiffe. Im Jahr war die Kirche fertig und wurde sie eingeweiht. Im sechzehnten Jahrhundert wurden Krypta und Altarraum dem Zeitgeist entsprechend der gotischen Bauweise angepasst, wobei die romanischen Elemente beseitigt wurden. Die zwei Seitenschiffe der Krypta und des Altarraums wurden abgerissen, die runden Fenster durch spitze Fenster ersetzt.

Mitte des achtzehnten Jahrhunderts wurde die Krypta mit Stuckarbeiten im Rokokostil versehen. Sie sind mit einfachen und ausdrucksvollen Schnitzereien versehen. Auch an der Kirche wurden erste Restaurationsarbeiten vorgenommen. Es war lange in Privatbesitz.

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Sai a cosa mi riferisco, ammettilo…. Come tu non hai capito me…. Quando mi avvio ad una azione verso il mio ambiente, non trovo il vuoto, ma un mondo vivo di persone, fatti, storia. Da un pezzo abbiamo capito che le emozioni hanno le loro buone ragioni, che la mente razionale non solo non sa cogliere, ma oltre una certa soglia, non riesce proprio a fermarle.

Significa che le mie emozioni mi alleno fin da piccolo a sentirle, discriminarle, esserne consapevole, e soprattutto mi alleno a contenerle, filtrarle, trasformarle in energia che posso gestire, con la quale posso progettare gettare avanti me in un mondo esterno che include altri Io, altri Noi. Per dirla proprio tutta, la nostra epoca sembra avere un rapporto proprio strano con le emozioni.

Sul piano clinico questo azzeramento delle emozioni ha un nome preciso: E mancano parole che esprimono affetti ed emozioni. Voglia di raccontarsi La generazione emo ha i suoi strumenti per esprimersi. Il corpo innanzitutto, dicevamo, con la sua ritrovata esasperata? Attivazioni anche viscerali, ma molto emozionate.

Per capire le emozioni ci vuole coraggio. Le parole per dirlo Parole con la P maiuscola: Ecco la prima lezione. Dal campo del biologico, degli istinti, delle pulsioni, al territorio del sociale, delle relazioni, dei valori. Facciamo una prova, adesso, qui. Quali piccoli o grandi contrasti ho vissuto oggi?

Come la ho manifestata, o nascosta? Ce ne sono alcune che mi accorgo di non aver mai sperimentato? E a questo piccolo elenco di parole per dirlo e di domande, cosa posso aggiungere di proprio mio? Gli spazi, i tempi, i rituali Benedette emozioni, come sono delicate, ed esigenti! Uno spazio calmo, senza troppi stimoli. Ha bisogno di situazioni e momenti, di rituali, quasi, di celebrazioni. O al contrario mentre fingiamo di voler ascoltare voi e invece vi rovesciamo addosso come un torrente le nostre, di emozioni, senza spazi di punteggiatura per il dialogo.

E i rituali, dicevamo: Ci siamo posti un obbiettivo, sicuramente non semplice: I giovani che esprimono disagio, malessere, che abusano di alcool, di sostanze stupefacenti, che si comportano in modo violento e autolesionista, soffrono? Forse questi ragazzi sono psicologicamente anestetizzati, quindi non sentono.

Series organised in collaboration with Cineteca di Bologna. In a desolate corner of the Sicilian countryside lives a family of farmers who have worked the land for generations, inextricably bound to nature and to the mysterious spirits of the dead which have always accompanied the living in those areas. Their never-changing everyday life is interrupted by news from the New World describing it as a land of astonishing abundance. Salvatore decides to sell everything—home, land, and animals—to bring his children and his elderly mother to a place where work and bread aren't as scarce.

But to become citizens of the New World, they have to die and be born again. The four must abandon their archaic habits and superstitions, striving to toughen both body and mind, learning to obey and to pledge their loyalty to a new authority, and surrendering to modernity. They'll have to do it in the suspended time of the ocean crossing: Not all of them are destined to cross through the gates of Paradise. Ellis, starring Roberto De Niro and written by Erich Roth, is a work that shakes up our collective memory, bringing us back to the early years of Ellis Island, the gate of entry to the New World.

The documentary is set in the abandoned sanatorium on the island facing New York, and through the touching art installation Unframed by the French photographer JR, it recalls the story of the immigrants who literally made America what it is. The men, women, and children who fled from poverty, discrimination, and dictatorships in search of a new life in the early decades of the twentieth century foreshadow the destiny of those who, in a globalised world, now seek the same opportunities for safety and dignity in America and Europe.

At dawn he should oversee the largest concrete pour of his career thus far. His boss has assigned the task to him because his record over the last nine years has been flawless: A fast-paced cinematographic experience in which the timing of the events coincides with the timing of the narration, this film literally captures us, catapulting us into a car seat next to the protagonist and setting before us the themes of fairness, of assuming one's responsibility, no matter how uncomfortable and punitive it may be, and of the extreme fragility of the moral constructs on which we build our existence and our certainties.

Simon is a swimming instructor in a city-run pool in Calais on the north coast of France. His marriage is on the rocks, and he does his job on autopilot until he meets Bilal, a young, undocumented Kurd who has has crossed Europe to reach England and the woman he loves. After a failed attempt to cross the border, the only way Bilal can realise his dream is by swimming across the Channel, and Simon is the only one who can help him train: Ninety percent of goods we consume in the West are manufactured in faraway lands and brought to us by ship. The maritime shipping industry is a key player in the world economy, and it forms the basis of our model of modern civilisation; without it, it would be impossible to fulfil the ever-growing demands of our societies.

Yet the functioning and rules of this industry remain unknown to most, while its hidden costs affect the lives of us all. Due to their size, freight ships can no longer berth at city harbours; they have moved far away from the eyes of public opinion, behind gates and barriers. But who pulls the strings in this billion-dollar business? To what extent does this industry influence national politics?

How does it impact the environment? Taking us on a journey through the oceans, the film offers a courageous investigation into international maritime shipping and sheds light on the consequences of an all but invisible industry. Branko, a native of Croatia, works as a lorry driver for an Italian transport company. He once was a teacher, but his new job earns him three times his old salary.

He drives all over Europe, alone or with his co-driver Maki, a thirty-year-old with a young son waiting for him at home, a man increasingly uncertain about whether to continue in this line of work. Branko's phone calls with his wife or son are the only contact he has with his family. The result of five years of field research, Tir shows life on the road for its protagonist, the professional actor Branko Zavrsan, who actually did earn the driving license required by the highway code.

Between roads, motorways, junctions, and warehouses for loading goods, a route is plotted along non-places, all identical yet separated by a geographical distance that hides the weight of the hard work under which Branko seems to test his own resistance. This film examines the current political crisis in North Africa, emphasising the responsibility of Western powers, in particular the United States and France, which apply foreign policies based on aggressive economic strategies to the detriment of basic ethical principles.

These policies have generated tremendous instability, resulting in chaos and repeated episodes of violence, such as the attacks made by the Moroccan police on the Sahrawi, who were encamped in the desert in November of in a peaceful protest for human rights. The focus of the narration is the Western Sahara, which according to the UN is the only African territory still subject to colonialism and worsening conditions and rights in recent years.

Turismo a Sesto Calende

One October day at dawn, in a major railway station in Pennsylvania, a careless worker has to move a very long, stopped train onto another track and engages the automatic controls. The train starts to move and immediately picks up speed with no one on board. Since most of its load is toxic waste and chemical products, the consequences of it derailing could be devastating.

If the toxins were to leak, they would be capable of decimating an entire city. Three hundred kilometres later, the veteran engineer Frank Barnes and the young, newly hired conductor Will Gordon have just begun their shifts. What they don't yet know is that a chaotic, frenetic day awaits them that is destined to turn them into heroes. To whom do the Alps belong? What and how many products are shipped each day on lorries and trains through tunnels and Alpine passes, and how does this transport affect the everyday life of the citizens throughout Europe?

How does it affect the natural environment? Through the emblematic stories of railway workers, lorry drivers, motorists, environmental tourists, and other travellers, this film seeks to highlight the importance of these questions and find answers while journeying through the mountains of Italy, France, Austria, Switzerland, Germany, and Slovenia to discover the complexities of transporting people and goods, along with some of the key players in these movements that flow like rushing streams, constantly threatening to flood. A high-tension thriller and at the same a detailed portrait of the myriad side effects of globalisation, this film recounts the hijacking of the US cargo ship Maersk Alabama by a band of Somali pirates.

Inspired by a true story, the events primarily rotate around the figure of the Alabama's commander, Captain Richard Phillips, and his Somali counterpart, Muse, who takes him hostage. The face-to-face conflict between the two begins when Muse and his crew aim for Phillips' unarmed ship, but in the course of the events the two men find themselves at the mercy of forces completely beyond their control.

The film is much more than the tale of how a cargo ship was hijacked by pirates and the breathtaking odyssey of an accidental hero: Marcel Marx, a bohemian and former author, chooses to withdraw to the port city of Le Havre, where his honourable but unprofitable profession as a shoeshiner gives him the feeling of being closer to the people. He keeps his literary ambition alive and leads a simple, quiet life arranged around the corner pub, his work, and his wife, Arletty, when suddenly destiny catapults a young immigrant boy from sub-Saharan Africa into his life.

The heart of the film lies entirely in the relationship between the befuddled shoeshiner and the young migrant. The man, who in the meantime has discovered that his wife is ill, takes care of the boy and tries to help him get to England, creating a network among his neighbours and seeking to escape the notice of a disenchanted policeman.

Solo pochi territori sono rimasti indenni, ma i loro abitanti continuano incessantemente a combattere tra loro. In un regno neutrale e pacifico, la Valle del Vento, vive la principessa Nausicaa, dotata di un potere extrasensoriale che le permette di comunicare con gli animali e con i temibili insetti Ohm. Un gruppetto di ragazzini si annoia alla sola idea di mettere piede in un museo.

Con voce suadente, la donna li conduce dentro la storia dei festeggiamenti messicani legati al giorno dei morti, in un viaggio attraverso tre regni sovrapposti. Sasha si ribella a questo destino e decide di raggiungere Oloukine verso il Grande Nord. In un allevamento di polli tra centinaia di galline si trova Leafie, una creatura straordinaria che sogna una vita fuori dalla gabbia. Leafie riesce a sfuggire dalla prigionia usando la sua intelligenza e, mentre si avventura nel bosco alla ricerca di se stessa, viene braccata da una feroce donnola chiamata One Eye.

Un giorno questa viene uccisa da One Eye. Leafie, entrando nel nido abbandonato, trova un uovo ancora caldo e si adagia teneramente su di esso, covandolo. Ne nasce un anatroccolo, che Leafie decide di proteggere con tutte le sue forze. In occasione del novantacinquesimo anniversario di G. D, una delle aziende storiche del Gruppo Coesia, la Fondazione MAST ospita una mostra che ne racconta la lunga e affascinante vicenda industriale attraverso una ricca documentazione fotografica e audiovisiva proveniente dai propri archivi aziendali e da un lungo lavoro di ricerca, inventariazione, digitalizzazione e conservazione.

In collaborazione con Librerie Coop e Garzanti. Solitari restare a riva a osservare le tempeste della vita o salire a bordo senza troppo curarci dei compagni di viaggio? Seguire le leggi del cosmo o le leggi dell'io? Scegliere la politica o l'antipolitica? Credere o capire di fronte a Dio e alla morte?

Seguire la lezione dei padri o la rivoluzione dei figli? In collaborazione con Librerie Coop ed Editori Laterza. Sabato 3 novembre Ore Le app, o applicazioni software, fanno ormai parte della vita di tutti noi. Ingresso gratuito con prenotazione obbligatoria. D Memoria e futuro. Una storia per immagini , che celebra il novantacinquesimo anniversario di G.

D memoria e futuro. Una storia per immagini. Interverranno archivisti, curatori, ricercatori e professionisti. D Introduce e coordina: La sua raccolta di oltre Per informazioni sul programma completo della rassegna: Il duo che conta … e canta! Parole e musiche in movimento: Storie di musica ed emozioni: Definizioni, concezioni, obiettivi, strumenti diversi nel Tavolo Permanente Musica Conclusioni a cura di Sonia Peana Per informazioni sul programma completo delle due giornate, visitate il sito: Pioniere della fotografia concettuale o post-concettuale, con le sue riflessioni ha aperto la strada ad innumerevoli altri artisti.

Wall stravolge una serie di convenzioni della fotografia, riflette sul linguaggio, sullo stereotipo, sulle abitudini visive. Le sue fotografie, realizzate in set quasi cinematografici, sono pianificate alla perfezione: To celebrate the fifth anniversary of the opening of its cultural centre, the MAST Foundation presents a new selection of works from its collection of photographs, video-installations, and photo-albums on industry and labour. Courtesy of Mondadori Portfolio. In collaborazione con Fondazione Alsos. Queste persone conducono l'esistenza di un qualsiasi nucleo borghese fino a quando non vengono messe in crisi da un evento apparentemente innocuo eppure sconvolgente: Il presidente della Terra le ordina di compiere una missione speciale: Uno solo degli astronauti, Taylor, riesce a sopravvivere a una battuta di caccia delle scimmie.

A Los Angeles, durante uno scontro tra la polizia e un gruppo di contestatori, viene ucciso un agente. Nel paesaggio spettrale di Zabriskie Point i due giovani trascorrono lunghe ore d'amore; poi giunge il momento di separarsi. Mark fa ritorno a Los Angeles per restituire l'aereo rubato, ma trova ad accoglierlo la polizia che gli spara contro uccidendolo.

John, Paul, George e Ringo. Le marionette interpretano il dramma di Shakespeare e nelle pause si pongono domande sui motivi delle loro azioni. Il pubblico presente in teatro a un certo punto interrompe la recita e decide la triste sorte dei personaggi. Il finale poetico vede lo spazzino Domenico Modugno portare alla discarica le marionette distrutte cantando una struggente melodia, mentre queste scoprono incantate le nuvole. Rassegna in collaborazione con la Cineteca di Bologna. Florence e Julien sono amanti che decidono di eliminare il marito di lei, Simon, potente affarista con i vertici della politica.

I due architettano un piano che sembra perfetto, disponendo ogni dettaglio in modo che la polizia lo consideri un suicidio, ma quando Julien tenta di lasciare l'edificio in cui ha appena compiuto il delitto, il custode dell'edificio, prima di andare via, disattiva il contatore generale dell'energia elettrica, bloccando l'ascensore nel quale si trova Julien. I musicisti hanno improvvisato vedendo proiettate le scene del film.

Secondo alcuni indica l'ora magica in cui in un jazz club si celebra il rito di una musica particolare. Numerosi altri musicisti hanno collaborato al film: Collezionista di amori infelici, Parker assume fiumi di alcol e droga che lo devasteranno. Le atmosfere del film sono principalmente notturne, con una fotografia molto contrastata. Le poche scene girate alla luce del giorno rappresentano momenti cupi della vita di Parker, come il funerale della figlioletta, la degenza al manicomio e infine il suo stesso funerale. Anche se Fletcher non gli dice quasi nulla, riesce a accendere in Andrew il forte desiderio di raggiungere i suoi obiettivi.

Sorprendendo Andrew, il giorno successivo Fletcher gli chiede di entrare a far parte della band da lui diretta. Tra il e il a New York decine di musicisti jazz si ritrovano per suonare in un loft cadente di Sixth Avenue, senza sapere che le loro note e le loro conversazioni vengono immortalate in audiocassette e fotografie dal reporter W. Svoltare su via Battindarno e prendere successivamente via Vittoria. Dopo mt svoltare a destra e procedere su via Speranza. Uscendo dalla rotonda aeroportuale, prendere la seconda uscita, proseguire su via del Triumvirato fino a raggiungere via Emilia Ponente.

He was born in the US in to Nigerian parents, and raised in Nigeria. He went back to the America at the age of 17 and he currently lives in New York. He also acted as a Curatorial Advisor to the Venice Biennale. Stabilimento National Tube Company, U. Masterworks of industrial photography. This service is provided by means of email. The provision of any personal data on the part of the user is always optional; however, should the data marked as "required" on the subscription form be missing, the service will not be activated.

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Irene | Chi vuol esser lieto sia, di doman non v'è certezza…

The MAST Foundation, without betraying its mission of exploring the themes of work and industry, presents an exhibition focused on in the USA, not only to celebrate a key date but also to pay homage to photojournalism in the s. The year marked a radical change in public attitudes and beliefs. Photojournalism had a dominating role in the shaping of public attitudes at the time. Photojournalism played a crucial part in triggering this transformation: A celebrated artist and experimenter animated by contagious enthusiasm and a tireless spirit of exploration, for over two years Nino has accompanied the children and educators in their discovery of the photographic media as a form of writing and a surprising mechanism for the creation of storytelling images.

Under his guidance, children from 3 to 5 years of age have learned to make use of camera-less techniques such as oxidation, cellograms, polarigrams, lightgrams and photograms, discovering new ways of observing, telling about and transforming their world, with method and fantasy. Sam Stephenson has spent more than twenty years studying the life and work of W.

Eugene Smith, following his footsteps in twenty-six states, Japan and the Pacific and interviewing more than five hundred people that knew the photographer in one capacity or another. Eugene Smith in his workroom. Archives of American Art, Smithsonian lnstitution.

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Problemi cronici nelle comunicazioni limitano Sam a scambiare solo occasionali messaggi registrati con la sua famiglia, composta da sua moglie Tess e da sua figlia Eve, nata dopo la partenza di Sam per la Luna. A due settimane dalla data prevista per il suo ritorno sulla Terra, Sam inizia ad avere allucinazioni e a soffrire di forti mal di testa.

Appena atterrati, John e il suo equipaggio incontrano il Professor Morbius, unico superstite che vive in una spettacolare residenza con la figlia Altaira e il servitore Robby, un robot parlante. Ma proprio quella tecnologia scatena una creatura di pura energia, inquietante ma allo stesso tempo affascinante. I robot positronici ormai sono diventati un articolo domestico come un altro, alla portata di tutti ed in tutte le case, e il mondo aspetta l'arrivo sul mercato dei nuovissimi NS-5, generazione prodotta dalla U.

Robots, azienda leader nella robotica. Mentre tutti impazziscono per questi aiutanti meccanici, il detective Del Spooner non si fida troppo dei nuovi e avanzatissimi robot. Lanning lascia a Spooner un dispositivo olografico contenente alcune sue riflessioni che lo spingono a considerare la sua morte come un omicidio.

Tramite questo processo, si possono prevedere in anticipo le future condizioni fisiche e di salute dei nascituri, tanto che, in definitiva, alcuni di loro vengono artificialmente generati senza imperfezioni, come se fossero "costruiti" su misura. Per scelta volontaria dei suoi genitori, il protagonista Vincent viene concepito in modo naturale, senza l'intervento della scienza. Fin dalla nascita gli viene diagnosticata la stessa debolezza cardiaca del padre, che lo dovrebbe portare, secondo i calcoli svolti a partire dalle analisi del suo sangue prelevato all'atto della nascita, a morire prima dei trent'anni.

Ingresso gratuito con prenotazione obbligatoria Per registrarsi, cliccare qui. Eugene Smith and to the monumental body of work he realised from onwards in Pittsburgh, the most powerful industrial city in the world at the time. The project, which Smith considered the most ambitious of his career, marked a turning point in his professional and personal life.

His first commission as a freelancer was to take 80 to photos of Pittsburgh for a publication celebrating the bicentennial of its foundation. The city was in the midst of an economic boom driven by the growth of the steel industry, and in particular its steel mills, which guaranteed employment and drew workers from all over the world. Smith was fascinated by the City of Steel, the faces of the workers, its streets, its factories and the infinite details and contradictions of its social fabric, painstakingly recording it all in order to create a comprehensive portrait of the city.

He was driven by the desire to find the absolute, to be truly present and prepared in the sparse moments in which the truth of life manifests itself in worldly phenomena. Pittsburgh soon became his obsession. Instead of shooting for six weeks, he took photographs for two or three years, then spent the rest of his life struggling with the almost 20, negatives and 2, master prints, doggedly pursuing his ultimate ambition: The project never came to an end and only a small number of images were published.

Curated by Urs Stahel, the exhibition at MAST displays a group of core pictures from this magnificent and painstaking work, providing a portrayal of Pittsburgh but also of America in the s, with its lights and shadows and its promises of happiness and progress. Scardinando il concetto stesso di racconto, nel dicembre del il regista Michael Glawogger decide di partire per un anno attraversando tutti i continenti senza fermarsi.

Dopo 4 mesi e 19 giorni Glawogger muore improvvisamente durante le riprese. Monika Willi, sua storica montatrice, raccoglie la sfida all'imprevisto e la continua. Regalandoci un omaggio sulla bellezza travagliata del mondo e un inno alla potenza visiva e poetica di questo regista. Mentre affronta gli effetti di una leucemia provocata dalle condizioni in cui opera, Yi Yeting studia diritto per prepararsi a una battaglia legale contro i propri datori di lavoro.

Ma la battaglia per difendere la salute di milioni di lavoratori cinesi richiede un confronto con brand multinazionali quali Apple e Samsung. Ma quando diciamo "desiderio" che genere di esperienza evochiamo? Massimo Recalcati indaga qui un tema chiave della dottrina di Lacan:

• International Accounting Standards: From UK Standards to IAS, an Accelerated Route to Understanding the Key Principles of International Accounting Rules
• Projektmanagement Was will ich? & Wie viel? (German Edition)
• So You Call Yourself A Christian
• Werkstoffkunde für Ingenieure: Grundlagen, Anwendung, Prüfung (Springer-Lehrbuch) (German Edition)
• Theory of Viscoelasticity: Second Edition (Dover Civil and Mechanical Engineering)
• Mither