Guide Last Train Home

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The three little girls send their days working in A couple embarks on a journey home for Chinese new year along with million other migrant workers, to reunite with their children and struggle for a future. Their unseen story plays out as China soars towards being a world superpower. I was born in GuangZhou, China, where the movie was partially made.

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I worked with those who left hometown to China big cities to work. Given that, i can tell you that the movie is telling us a real story, and showing a true face of The GuangZhou Railway station. For more than 10 years, one horrible place to visit is the GuangZhou Railway Stationdirty, crowded, a lot of thieves, toilets not enough I guess this movie is very for for us to show the next generation who would be brought up in Canada. They then shall understand why GuangZhou people are eager to go overseas.

This movie is also good for those who never visit China, as most of the time, the medias tend to show the good stories, not the truth. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Their daughter Qin, now a restless and rebellious teenager, resents her parents' absence and longs for her own freedom away from school and her rural hometown, much to the dismay of her parents. She eventually leaves school, against the wishes of her parents, to work in the city. In a March follow-up interview, director Lixin Fan reveals that the Zhangs are still working in the factory and Qin telephoned, but did not visit, for the New Year.

Last Train Home

In September , Fan said that Qin was now a vocational student in Beijing, and that while Qin's mother is back on the farm, her father still works at the factory. The girl, she quit that job at the bar and went to find a new job. I knew she had a job at a hotel as a bartender and she went back to the factory for a small while and she came to study in a vocational school in Beijing last year for a few months, and then she quit again.

Now she's working in a small city in Hubei. She's 22 now, so a big girl. She doesn't [get back for Spring Festival].

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Last Train Home is a documentary film directed by Lixin Fan and produced by Daniel Cross and Mila Aung-Thwin of EyeSteelFilm. It won the Best. Last Train Home may refer to: Last Train Home EP, a EP by Ryan Star, or the title song; "Last Train Home" (Lostprophets song) · Last Train Home (film).

She still resents her parents very much. She thinks she never received any love from the parents, so she'll deliberately avoid them during Chinese New Year.

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The little brother is now 16 years old. He was doing really great in school, he got really good marks.

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He's second-year in high school [Chinese high schools go three years]. He got a few No. His parents were really happy. The movie puts a human face on this migration by showing its affects on a single family. Rarely in a documentary does every shot matter as a bearer of emotion and information. Lixin Fan's nonfiction debut, Last Train Home , is just such an exceptional movie.

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Rivaling China's finest documentarians, first-time director Lixin Fan begins his Last Train Home with a handful of unshakable images. Epic in scale and global in outlook yet devastatingly intimate and extraordinarily personal in focus Lixin Fan's amazingly intimate account could only be made with almost unlimited and unrestrained access -- a privilege that isn't abused and one that pays dividends for us in many ways. The plight of the Chinese lower class in changing economic times has received several treatments over the last couple of years.

This one was particularly poignant. I think about what this couples' life is like currently. The attachment felt by the viewing audience is genuine.

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She [technically] quit, but it's because of the financial crisis, [which] brought down the salaries so much. Last Train Home is a harrowing experience. A haunting portrait of a young woman who begins to starve herself in search of the "perfect" body. Their parents are nowhere to be seen. This mass exodus is the world's largest human migration-an epic spectacle that reveals a country tragically caught between its rural past and industrial future. The story specifically follows a mother and father who work km away from their children - who are being raised by the grandmother - and the sacrifices they make for working hard and raising money for them from afar, bla dee bla bla. It's meant as a juxtaposition to the western way of life, but the sheer staginess and artificiality of each scene didn't let us forget that with a few inserted lines of exposition:

Well, there's more than that. The film was effective in transporting the viewer into crowded scenarios in just about any context: But the film took some kind of Soderberghian low-fi approach to storytelling, rather than taking a documentarian approach. The story specifically follows a mother and father who work km away from their children - who are being raised by the grandmother - and the sacrifices they make for working hard and raising money for them from afar, bla dee bla bla.

It's meant as a juxtaposition to the western way of life, but the sheer staginess and artificiality of each scene didn't let us forget that with a few inserted lines of exposition: Sure, there were some artistically rendered frames of the lovely Sichuan province and the grimy, hazy cityscapes choking in factory smoke evoking those Police lyrics, "it's dark all day and it glows all night, with factory smoke and acetylene light". But there are some frames that feel too much like the director asked the subjects to sit in a certain way because it might look neat or something. There's not a whole lot of intimacy with a teenage girl lamenting her grandfather's passing to a Buddha idol with a cameraman standing 3 feet away in her face.

I mean, unless this is a fiction piece - and it isn't - how can you really be absorbed with the story? Because of this specific inauthenticity, the grander authenticity of cultural sacrifices and a study of Chinese peasantry was impeded greatly. In other words, it was a really, really boring film.

LOSTPROPHETS - Last Train Home

And that's too bad, because there was some good material here to work with. If the filmmakers had stopped with just the awe-inspiring crowd footage of all of them trying to get home at Chinese New Year, this would still have been very compelling viewing. It is amazing how they got the footage in the first place which also shows the police and soldiers displaying an admirable level of restraint. As it is, the movie goes deeper with an emphasis on one couple who have been migrants for the past sixteen years and their trip home of kilometers, that not only involves a crowded train but also a bus, an antiquated ferry and local bus to their home village where everybody of age has left to seek work elsewhere.